1
10
25
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Designer
Designer who made the clothing item.
Farquharson & Wheelock
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Butterfly Sleeve, Pannier, Bell Silhouette
Decade
1920-1929
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress was purchased at auction, however, much is known about the designer, Farquharson & Wheelock. Jessie Farquharson and Margaret Wheelock were sisters who immigrated from Scotland around 1900. They began their dressmaking business in New York City in 1906. They were very successful as evidenced by their property transactions. The firm purchased a property at 724 Fifth Avenue in 1911, and in 1920 enlarged the premises by purchasing the Louis P. Hoyt mansion next door for roughly $600,000. The NY Times called this the highest price ever paid for an inside lot on Fifth Avenue north of Forty-second Street"."
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920's Black velvet with black lace Robe de Style dress
Description
An account of the resource
Black velvet with black lace Robe de Style dress; black black velvet with black lace Robe de Style dress; black lace overskirt extended out at hips by thick wired cord decorated with beads, the dress further trimmed with thin sequined strips attached at center front and back waist; size 10 silk velvet; lace; sequins
Source
A related resource from which the described resource is derived
HCT.1999.43.2
Relation
A related resource
<span>Additional fiber images and information available at <a href="http://cameo.mfa.org/wiki/1920-1929,_black_velvet_with_black_lace_robe_de_Style_dress,_cotton_lace" target="_blank" rel="noreferrer noopener">the CAMEO Materials Database at the Museum of Fine Arts Boston.</a></span>
Date
A point or period of time associated with an event in the lifecycle of the resource
1922-1923
1920-1929
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Shift Dress, Tube Silhouette
Decade
1920-1929
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Purchased by donor at antique shop.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920's green silk dress with gold beading and sequins
Description
An account of the resource
Green silk dress, gold beading, sequins, gold thread embroidery, large bow on back.
Source
A related resource from which the described resource is derived
HCT.1997.5.1abc
Date
A point or period of time associated with an event in the lifecycle of the resource
1920-1929
1920-1929
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Trousers/slacks
Decade
1920-1929
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This suit more than likely belonged to Clarence F. Hansen. Clarence was born 4/19/1905 in Akron, Ohio to H. Charles Hansen and Celia Johnson. Charles Hansen, his father, emigrated from Denmark and worked as a potter in Akron. Clarence married Helen Lillian Roethlig in 9/21/1927. Prior to his marriage, Clarence worked as a clerk at a Rubber Office. This suit would be appropriate work attire for his position. This suit was made by H.H. Pride Tailor in Akron, Ohio. H.H. Pride was Henry H. Pride, a merchant tailor. He was born in Canada in 1861 and immigrated to the US in 1871. He was a tailor in Portsmouth, Ohio before opening a business in Akron, Ohio some time before 1910. His business was located for many years at 645 N Howard, Cuyahoga Falls. His wife's name was Hattie W (1870-) and his daughter was Hattie B (1895-).
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Wool
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920s Man's Blue/White Houndstooth Suit
Description
An account of the resource
1920's men's three piece wool tweed suit, small hounds tooth weave in blues, grays and whites. The jacket is cut very much like the sack jacket of the 1910's, straight and boxy, though the length of the 1920's jacket is shorter. The jacket closes at center front with three light brown buttons, probably Bakelite, and features a sunburst pattern etched in the surface. The buttons sit in keyhole button holes. The jacket closes high on the chest, at the sternum which was typical for the time, and has high notch lapels. Under collar is gray felt. There are four welt pockets; two double welt pockets with flaps on either side of the front at the hip, one single welt at left chest, and one single welt inner pocket at right breast. The jacket is lined in a brown silk/linen and the sleeves are lined in a yellow, white and blue stripe silk. The two piece sleeves are finished at the hem with faux plackets with three tan buttons. The vest is made in the same wool tweed as the jacket and trousers. The vest closes with five buttons made of the tan Bakelite with sunburst pattern as the jacket. It features a high notch collar which is tacked down at the points, and four single welt pockets (2 at chest and 2 at waist on either side of the center front). The back of the vest is made of the same brown silk/linen as the lining of the jacket. Vest front opening is self-faced and front and back of the vest is lined in a small black and white cotton gingham. There is a one inch vent at the hem on either side seam for ease and an inverted scallop at center back hem. The matching trousers are high-waisted and straight legged. The trousers close at center front with a four button fly. The top button sits at the seam between the waist band and the trousers and faces in, toward the wearer. The button has two stars and says Pride Akron." This button sits in a keyhole button hole faced with brown felt for strength. Waistband is faced in the same black and white cotton gingham as vest. At the center front closure, where the top button faces inward, on the outside of the fly there is a narrow belt loop. There are three more wider belt loops (1.5 inches) on the waistband, one on either side seam and one at center back. There are also six brace buttons (suspender buttons)a pair of buttons on either side of the front on the inside of the waistband and two buttons which sit on either side of center back belt loop on the outside of the waistband. There are two curved double welt back pockets (one on either side)a pair of buttons on either side of the front on the inside of the waistband and two buttons which sit on either side of center back belt loop on the outside of the waistband. a pocket at each side seam and a watch pocket on the right front. The pants are unlined and edges are overcast in a machine zig-zag. Inseams are plain, side seams are flat-felled. The hem is turned under 1.5 inches and hand stitched up, with the angle of the hem very deep from front to back so as to not have a break in the trouser leg.
Source
A related resource from which the described resource is derived
HCT.1996.7.16a-d
1920-1929
Men's
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Shift Dress, Tube Silhouette
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Decade
1920-1929
Color
Off-white
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Anna and Daniel Stoner had only three children, one of whom was Ola Glen Stoner, born June 25, 1889. Ola married Morris N. Pigman in 1922. Ola's silk satin dress with a hemline between the ankle and knee and train emanating from the shoulder was typically fashionable for 1922. It is much less fitted than her mother's dress of 1888, and in keeping with the looser fashions of the 1920's. The pattern of the silk lace is beautifully displayed as it drapes from the shoulder to wrist. Ola's husband, Morris, was the son of Margaret and Daniel Morris Pigman, a manager of a dry goods department store. Morris was a bank clerk prior to his marriage and continued working in banks in the years following. Ola and Morris had only one child, a daughter, named Margaret Ann, who donated her mother's and grandmother's dresses to the Historic Costume & Textiles Collection.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1922 Silk Satin and Lace Wedding Dress
Description
An account of the resource
An off-white satin dress with lace overlay (full front, top part in back); tubular silhouette; calf length; round neckline trimmed with satin; low waist line, enhance by wide satin sash ending in a bow on the left side; set-in cap sleeves, end of cap sleeves attached lace butterfly wings with satin wristband; silk satin train starting at shoulders.
Source
A related resource from which the described resource is derived
HCT.1999.19.2a
Date
A point or period of time associated with an event in the lifecycle of the resource
1922
1920-1929
Wedding
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Shift Dress, Tube Silhouette
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Decade
1920-1929
Color
Off-white
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Libby Medoff married Louis Weiner on March 22, 1925, in Pittsburgh, PA, and her daughter, Harriet Faye Weiner, married Frederic Alvin Green on June 18, 1950, in Canton, OH. Libby was born September 2, 1905 in Pittsburgh, PA to Becky Kramer and David Medoff, who emigrated from Kiev, Russia shortly before the turn of the century. Libby was the oldest of three children and the only girl. Her father worked as a cap-maker before and after moving to the U.S. His must have been a lucrative business as he was able to afford this elaborately beaded wedding gown for his daughter. It was originally longer as can be seen in the portrait of her, but as fashions for shorter hemlines proceeded through the decade of the 1920s, Libby must have shortened the dress to extend its life for other formal or dance occasions. Libby's husband, Louis Weiner was born on October 12, 1898 in Pliskov, Russia to Anna Schneider and Eli Weiner. Louis arrived in the U.S. from Russia on August 19, 1913. Louis' father, Eli, was a barrel dealer. Shortly after their marriage, Libby and Louis moved from Pittsburgh to Canton, OH, where Louis worked as a pharmacist at Physician's Pharmacy for 40 years, and their daughter, Harriet was born on January 23, 1930.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920s White Beaded Wedding Dress
Description
An account of the resource
Off-white silk crepe, straight cut wedding dress. Round neck, sleeveless. Rhinestone studs in the body of the dress, clear and white beaded floral vine along the sides and at the hem. 1925 Headpiece designed for the exhibition by Jennifer Brown for Romance Studio.
Source
A related resource from which the described resource is derived
HCT.1989.528.1a-e
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
1920-1929
Wedding
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lace - Cotton Fiber
Description
An account of the resource
200x Magnification
Melt Mount
Bright Field
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lace - Cotton Fiber
Description
An account of the resource
200x Magnification
Melt Mount
Polarized Light
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Applique Ribbon - Silk Fiber
Description
An account of the resource
200x Magnification
Melt Mount
Bright Field
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ribbon Applique - Silk Fiber
Description
An account of the resource
200x Magnification
Melt Mount
Polarized Light
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Low Waist Dress, Gathered Skirt, Tube Silhouette
Decade
1920-1929
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress was donated by the original owner, Ruth Herndon. Ruth was born in Columbus, Ohio on 09/06/1907. Her father was William Weinman who was the owner of the Weinman Pump Manufacturing Company. Their family was well to do and Ruth participated in horse back riding clubs and other leisure activities. She graduated from The Columbus School for Girls in 1925 and The Ohio State University in 1929. She married L. Kermit Herndon in 1939. He was an assistant professor at Ohio State.
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Silk for all of dress with exception of lace which is cotton.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1925-1929 Black silk satin dress with ribbon embroidery
Description
An account of the resource
Black silk charmeuse sleeveless dress dating from mid to late 1920s. This beautiful sheath dress features a deep plunge V-neck and a slightly dropped waist which is self-piped above a skirt that has been sewn in three rows of stitches and gathered into the waist. The shawl collar is made of a light pink (blush) silk charmeuse, cut on the bias, it also lines the inside of the bow at the bottom of the neckline. The bow was made by cutting two rectangles, one in black and one in pink, stitching up the long sides and then sewing the short ends together. The bow was then gathered and, much like the skirt, and stitched to the dress with the top of the bow folded down to reveal the light pink contrasting fabric on the inside. The panel within the neckline of the bodice is of a fine silk tulle that has been decorated with three roses made of a light pink knit and curls of pink ribbons at the centers. Five leaves of various shades of green ribbon and embroidery yarn were embroidered around the center rose. Three rows of a narrow blue ombre ribbon have been over stitched in three rows in a twist pattern (five strands in each twist). The rest of the panel is covered in a narrow lace ribbon in a wandering pattern over the tulle. The bottom of the skirt is made in the same way but the embroidery overlaps the black silk of the skirt integrating the hem of the skirt into the main body. The dress closes up the left side with black metal snaps and a hook and eye at the waist. The panel within the neckline is backed in a light pink plain weave silk. The panel has been hand stitched onto the dress with thick black thread, stitches on the front of the dress lie under the collar. The bodice is lined in the light pink plain weave silk. A wide, two inch, strip of the pink silk was cut and trimmed, top and bottom, in the same narrow lace the decorates the panels. This wide ribbon was then placed over the interior waist of the dress and hand tacked down to cover/finish the raw edges of skirt and bodice. The armhole facings are made of half inch bias stripes of black charmeuse. Tag at right waist reads "Claire Gowns, New York, Paris, Made by Starr and Herbert."
Source
A related resource from which the described resource is derived
HCT.1984.29.1
Date
A point or period of time associated with an event in the lifecycle of the resource
1925-1929
Relation
A related resource
<span>Additional fiber images and information available at <a href="http://cameo.mfa.org/wiki/1920-1929,_black_silk_satin_dress_with_ribbon_embroidery,_silk_lining_fabric" target="_blank" rel="noreferrer noopener">the CAMEO Materials Database at the Museum of Fine Arts Boston.</a></span>
1920-1929
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Designer
Designer who made the clothing item.
Vionnet, Madeleine
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Decade
1920-1929
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress was purchased at auction.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vionnet, Madeleine Pink Chiffon Dress
Description
An account of the resource
Pink color silk crepe and chiffon bias cut dress and slip; BODICE: silk crepe yarn/plain weave, bias cut, deep sleeveless armhole, V neck, waistline van-dycked, bodice fabric twisted over at shoulder to reverse at the back, seams at neck and armhole exposed on right side- all of self fabric-hand stitched; SKIRT: 2 tiered chiffon skirt, handkerchief hem cut in 4 panels- squares which have been ingeniously folded and van-dycked at the waist, thereby creating an uneven double length of the handkerchief hem; SLIP: shoulder strap, side bust darts, normal waist seam, wider band at hip, 2 tier bias cut handkerchief hem at bottom; the dress is mid-calf length, long; gross-grain ribbon label with green chain stitch embroidered name : Madeline Vionnet.
Source
A related resource from which the described resource is derived
HCT.1988.318.146ab
Date
A point or period of time associated with an event in the lifecycle of the resource
1926-1929
1920-1929
Madeleine Vionnet
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Designer
Designer who made the clothing item.
Fortuny, Mariano
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Shift Dress, Tube Silhouette
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Color
Black
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Purchased at auction
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fortuny, Mariano; Black Silk Delphos Gown
Description
An account of the resource
Black, silk delphos gown The technique for the pleating of Fortuny gowns is unknown. The shoulder seams are sewn seams (earlier gowns were laced) and on the underside of this shoulder seam there is a strip covering the seam allowance and attached to this strip is a bra strap holder, a short length of silk on a garment to keep the dress and the strap in place. The neckline in a black silk ribbon and acts as a casing for a thin black cord that runs around the neckline to add strength (for holding up the dress) and allows for some shaping of the neckline. The side seams are left open at the armholes and are then closed down to the hem of the gown. The side seams are decorated with round black and white beads, 34 down each side seam and 14 around each armhole, strung on a thin black cord and hand sewn to the seam between the beads.
Source
A related resource from which the described resource is derived
HCT.1987.191.4ab F
Date
A point or period of time associated with an event in the lifecycle of the resource
1924
1920-1929
Mariano Fortuny
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Designer
Designer who made the clothing item.
Patou, Jean
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Shift Dress, Straight Skirt, Tube Silhouette
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Patou, Jean, Gold Lamé Dress
Description
An account of the resource
Gold and green lamé brocade short 2 piece evening dress; pattern motif-Persian (Saffavid) exotic animal and bird motif; (tunic top) round neckline trimmed with pink/white beads and gold thread embroidery on net; sleeveless top; neckline and armholes are bound; satin bow in low center front; (underdress) white silk satin bodice attached to skirt, wide straps; skirt-double knife pleat in front, Van Dycke hemline trimmed with white/pink beads and cut gold/steel beads; dress is not lined; Model No. 049213.
Source
A related resource from which the described resource is derived
HCT.1987.318.26
Date
A point or period of time associated with an event in the lifecycle of the resource
1925-1927
1920-1929
Jean Patou
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
200x Magnification
Melt Mount
Bright Field
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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a3970bd9985091fc287d9380a44c46d6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Bright Field
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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3dddf343e57509b4a1a64ae0d594226c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Bright Field
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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f856884bc464fb55e4064e646fa8ad04
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Dark Field
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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51fcf0c577f801ddd4e50b4d41c61d0f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Dark Field
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Polarized Light
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Polarized Light
Source
A related resource from which the described resource is derived
HCT.1989.318.11
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4a10f84043e40b51287191fd5a5fb585
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
At extinction
400x Magnification
Melt Mount
Polarized Light
Source
A related resource from which the described resource is derived
HCT.1989.318.11
http://fashion2fiber.osu.edu/files/original/eb157775b4782f15e484ed1d8187b82c.jpg
9be33b08bb1ff1cd2096bbef0aecc2bf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
Showing signs of elongation
400x Magnification
Melt Mount
Polarized Light
Source
A related resource from which the described resource is derived
HCT.1989.318.11
http://fashion2fiber.osu.edu/files/original/d29adaef979532b2efc0272364c753ca.jpg
acfa80f84d5a0a517d2e22a4bcea0a6f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
Shows signs of elongation
400x Magnification
Melt Mount
Polarized Light - First Order Red
Source
A related resource from which the described resource is derived
HCT.1989.318.11
http://fashion2fiber.osu.edu/files/original/998d149c79311b7b1c190535ba8cb57b.jpg
8f499646e0239d379dffb2d298c4456c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
At extinction
400x Magnification
Melt Mount
Polarized Light - First Order Red
Source
A related resource from which the described resource is derived
HCT.1989.318.11
http://fashion2fiber.osu.edu/files/original/be5658b5d6a9261b193b41dc141ff156.jpg
b209a58c1801adc638e7042f3665836b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Differential Interference Contrast
Source
A related resource from which the described resource is derived
HCT.1989.318.11
http://fashion2fiber.osu.edu/files/original/79c60ffeda9820eb0ac70938aa9896f5.jpg
2e1ecaec88602af49531a91244272df2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silk Fiber
Description
An account of the resource
400x Magnification
Melt Mount
Differential Interference Contrast
Source
A related resource from which the described resource is derived
HCT.1989.318.11
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1920-1929
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Designer
Designer who made the clothing item.
Poiret, Paul
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Peter Pan/Flat Collar, Set-In Sleeve, Low Waist Dress, Gathered Skirt, Tube SIlhouette
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Decade
1920-1929
Color
Orange brown
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Dark orange silk crepe dress; loose fitting; bodice front- slight V neckline, bodice back-deep V neckline; faux cape back; round neckline; front bodice necklines trimmed with gold metallic lace collar; bodice gathered down the center front, trimmed with 10 metallic thread buttons; bodice back - 13 hook & eye closures; bodice - lined in off-white silk plain weave fabric, has narrow shoulder straps, wide grosgrain waistband with hook & eye closure; straight long sleeves created by folding short side of panel on itself and stitching; armscye attached to front and top of bodice, back armscye stitched to back drape becoming part of cape illusion; cape gathered at neckline for fullness; drop-waist waist seam; waist seam trimmed with gold metallic lace; ankle to mid-calf length skirt pleated at waist-seam for fullness; skirt is not lined. ca. 1922
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poiret, Paul; orange silk crepe dress
Description
An account of the resource
Dark orange silk crepe dress; loose fitting; bodice front- slight V neckline, bodice back-deep V neckline; faux cape back; round neckline; front bodice necklines trimmed with gold metallic lace collar; bodice gathered down the center front, trimmed with 1
Source
A related resource from which the described resource is derived
HCT.1989.318.11
Date
A point or period of time associated with an event in the lifecycle of the resource
1922
Relation
A related resource
<span>Additional fiber images and information available at <a href="http://cameo.mfa.org/wiki/1920-1929,_Poiret,_orange_silk_crepe_dress" target="_blank" rel="noreferrer noopener">the CAMEO Materials Database at the Museum of Fine Arts Boston.</a></span>
1920-1929
Paul Poiret