2
10
20
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress was worn by either Emma or Alice Heisey. Their father was the founder of the Heisey Glass Company in Newark, Ohio. Both girls were in their early to mid-twenties when these dresses were made between 1903 and 1908.
Designer
Designer who made the clothing item.
Hoffer, Kate
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Silk
Decade
1900-1909
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1903-1908, Warp Print Silk Taffeta Dress
Description
An account of the resource
Two piece blue and white floral warp print silk taffeta and silk tulle evening gown. Bodice- mono bosom of ivory silk tulle, bias cut wide panels draped over the shoulder and pleated to a point at the center waist. green silk velvet trim. Round neckline and short full sleeves has machine lace trim and ruffle. Wide two toned blue silk satin ribbon folded into a band at the waist. Bodice lined with silk taffeta and boned. Full length skirt of silk tulle and taffeta. Taffeta panels on the sides, scalloped and piped in green velvet. Panels held together with a vine of blue cotton flowers. The tulle is trimmed with lace and blue metallic lame bows. Ivory taffeta lining and cotton lining with pleated dust ruffle.
Source
A related resource from which the described resource is derived
HCT.1988.418.81ab
Date
A point or period of time associated with an event in the lifecycle of the resource
1903-1908
1900-1909
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1890-1899
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Standing-Band Collar, Set-In Sleeve, A-line Skirt, Shirtwaist, Hourglass Silhouette
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Cotton, Wool
Decade
1900-1909
Color
Black, White
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This shirtwaist was made and worn by Mary E. Heck. Mary was born in 1871 and died in 1959. She began sewing at an early age and made all of her own clothing and that of her children until later in life. Mary's father was a farmer and Mary worked in a man's tailor shop before her marriage in 1896. In the tailor shop, she finished the vests and made the button holes. Her husband, Thomas Heck, was a high school teacher in Liberty, Ohio. Their daughter, Grace, was born in 1905.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Shirtwaist and Wool Walking Skirt
Description
An account of the resource
Blouse of white batiste. Front features lace and embroidery panel framed by vertical rows of pin-tucks and lace . 6 3/16 decorative shank buttons spaced down center front. Vertical pin-tucks extend from shoulder seam. Stand up collar with stays on sides and back is formed of rows of lace and bound with 1/2" bias strip. Back has vertical rows of pin-tucks and lace. Closes in back with 7 3/8" sew through buttons and buttonholes. Tape tie attached at back waist on right side. Long set in sleeves with rows of pin-tucks and lace insertions spaced 3 1/2" apart down entire length of sleeve, finished with 1" lace ruffle. The skirt has an A-line shape. The upper skirt is made up of 7 gores, three in the front, one on each side and two large pleated gores in the back. The skirt is unlined and the skirt pieces were cut with pinking shears.The bottom of the skirt is made up of a large asymmetrical piece that has been cut on the bias and is decorated in three tiers of bias wool strips trimmed in black ribbon. It is attached to the body of the skirt just under the top tier of trim. The second and third tiers of trim are sewn on to the skirt and the raw edges are encased under the black ribbon that trims the top of each tier. Near the hem on each side of the skirt is a crescent shaped piece of wool, mostly hidden under the bottom tier. These crescent pieces were required in a bias cut skirt to create a straight hem. This lower part of the skirt was cut on the bias to give the skirt more movement and volume without adding a lot of bulk. From the floor the bias piece measures about seventeen inches tall at center back and nine inches tall at center front. The hem of the skirt is finished on the underside in a heavy woven ribbon to give the hem structure and shape.The waistband of the skirt is piece of cotton sateen that has been folded and half and stitched along the bottom, encasing the top edge of the skirt. The two back gore panels are pleated at the top of the skirt toward the center back seam line, leaving about a quarter of an inch between them, and stitched down the length of the closure, about 7 inches. The skirt fastens at center back with five hook and eye closures, one on the waistband and four in the skirt, which are off set to the right of the center back seam and hidden under the right pleat. The pleat also hides the slit opening of the skirt, which is bound in a narrow satin ribbon.
Source
A related resource from which the described resource is derived
HCT.1985.21.6 & HCT.1996.38.49
Date
A point or period of time associated with an event in the lifecycle of the resource
1895-1905
1890-1899
1900-1909
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Decade
1900-1909
Color
Off-white
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress were donated by Mrs. Bruce Harris, who is the granddaughter of Thomas Clarence (T.C.) Heisey, youngest son of the founder of the Heisey Glass Company in Newark, Ohio. The dress most likely belonged to members of the Heisey family. TC had two daughters, Emma and Alice who were in their early to mid twenties when this dress was made between 1903 and 1906. The dress was designed and sewn by Kate Hoffer, a local Columbus, Ohio dressmaker. Kate Hoffer opened her dressmaking business in 1899 at 1409 N. High St. Her husband Frank was then working as a barber. By 1901, the dressmaking business listing was under Frank's name. It must have been a more lucrative business than barbering, because by 1902 Frank was listed as a tailor. By 1910 the business was located at 256 Oak St., while the Hoffers resided on fashionable E. Broad St. at number 1039--with Frank listed as a dressmaker and Katie as a ladies tailor. Like, Daisy Schaefer, Kate was of German descent. Born in West Virginia in 1861, she was seven years older than Daisy. She married Frank in 1884 and had two daughters who were 16 and 13 when the dressmaking business opened. The Historic Costume & Textiles Collection owns three dresses with Kate and Frank Hoffer's label. Two of the dresses have the label printed on a binding that doubles as the skirt's waistband. The third has the name printed on the waist tape of the bodice.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900's Ivory Silk Chiffon Evening Gown
Description
An account of the resource
A two-piece ivory silk chiffon-satin evening gown with a subtle stripe. Twisted chenille yarns with gathered pieces of lace form tulip-like adornments that hang from bodice neckline, front and back, sleeve hem, and from sash at center back.
Source
A related resource from which the described resource is derived
HCT.1988.418.82ab
Date
A point or period of time associated with an event in the lifecycle of the resource
1903-1906
1900-1909
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Puff Sleeve, S-Curve Dress
Decade
1900-1909
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Silk
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1904-1906, Grey silk beaded long gown
Description
An account of the resource
Early 1900's ladies long beaded evening gown. The outer shell of the gown is made of an off-white silk tulle that is elaborately hand-beaded in small grey sequins, black seed beads and grey metal leaves, which cascade from the top of the shoulders to the edge of the scalloped hem. Large clusters of floral and bud motifs of padded sequin and seed beads line the front and back neckline, side seams and down the length of the side front and side back of the skirt. The gown has a low rounded neckline in the front and black with an appliqued net border in grey-blue silk tulle. The mono-bosom silhouette style of the bodice is gathered into a fitted waist decorated with sequins clustered together in the look of a wide band. The gown has a full, fluted skirt and a long train in the back. The shell of the dress is underlined in off-white silk marquisette with a ten inch long fluted flounce hemmed in a grey silk velvet ribbon. The inner bodice is made of a powder blue silk shantung attached at the neckline and armscyes. It is made up of twelve panels, four in the back and eight in the front, has a V shaped waistline and is boned. It closes at the center back with thirteen hook and eye fasteners and has a draw cord where it is attached to the neckline that ties at both the center front and the center back to control the shaping. Sleeves contain a lining of the powder blue silk shantung in a fitted straight style, with volume added by an overlayer of a larger puffed sleeve made of the off-white silk marquisette, which is gathered and trimmed in the grey silk velvet ribbon with an added bow at the back and a one inch band of the grey-blue netting with applique beneath that. The outer layer is a long heavily beaded over sleeve attached only at shoulder top. The five gored, blue shantung underskirt is attached at the waistline with a bias cut band of the fabric and has a four inch ruffle at the hem. The gown closes at the center back in a seventeen inch long opening that fastens with hooks, eyes and thread loops sandwiched between the tulle/marquisette and a bias facing made of the blue shantung.
Source
A related resource from which the described resource is derived
HCT.1988.398.2
Relation
A related resource
<span>Additional fiber images and information available at <a href="http://cameo.mfa.org/wiki/1900-1909,_grey_silk_beaded_long_gown,_wool_underlining" target="_blank" rel="noreferrer noopener">the CAMEO Materials Database at the Museum of Fine Arts Boston.</a></span>
1900-1909
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Tailored, Double-Breasted Jacket, Notched Lapel
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Wool
Decade
1900-1909
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This suit belonged to Dr. Joseph E. Barricklow who was born 7/1/1855 in Cadiz, Ohio. The son of a farmer, Dr. Barricklow graduated from a school of dentistry in Cincinnati, Ohio and began a practice in Columbus, Ohio. His business is listed as Barricklow & Dobell in the 1904 Columbus city directory. Dobell was actually a female dentist. The suit was made by Burns Tailors on December 24, 1903, as known by a label sewn in the jacket. James Henry Burns, the son of a tailor, was born in Zanesville, Ohio. He managed Burns tailoring with his father, Michael Burns. This suit is in such good condition due to its limited wear as Dr. Barricklow passed away in 1905.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1903 Wool Tweed 3-piece Suit
Description
An account of the resource
A three-piece men's tweed suit in a multicolored wool (blue, brown, tan and rose) closes down the front with 4 tortoise shell buttons (top button missing) in the conservative sack style coat of the early 1900's - a hip length coat with a straight back. This is a very traditional suit with all of the standard shapes of the time including a slanted welt breast pocket on the right side and two double welt hip pockets with flaps. It also features a two piece sleeve with two buttons over a closed vent at the cuff.
The inside of the sack coat has two double welt pockets, one on either side of the body, with the right at inside breast height and the left slated and at a natural waist height. The body of the coat is lined in a silk twill, while the sleeves are lined in a white and green striped silk. There are two rectangular pieces in the lining coming from the sleeve out two inches and about one inch wide. The collar is faced with a brown felt with both machine and hand pad-stitching.
Tag reads "Burns Columbus, Oh"
The waistcoat or vest is double breasted with two columns of four tortoise shell buttons that run down either side of the center front seam. The buttons begin wide at the top, approximately 6 inches apart, and taper inward to the bottom two buttons which are approximately 2.5 inches apart. The waistcoat has four single welt pockets, two at the breast and two at the waist and 1.5 inch vents at the bottom of the side seams. There is also a single welt pocket in the lining at the right breast.
The waistcoat is faced in a black silk and lined in a white polka dot jacquard with black pinstripes. There are two horizontal pleats in the front lining pieces (half an inch deep) for ease over the stomach. The back of the waistcoat is made in a taupe and gold plaid with a center back seam and a belt at the waist (tab and two prong fastener). There is a small inverted scallop at the center back hem of the vest.
The matching trousers have slightly tapered legs and a plain angled hem with heel guards hand stitched to the inside back of the hem. The waistband is on the cross-grain and has a V shaped notch at the center back. Just below the notch there is a tab and prong style belt for fit adjustment. The waistband also features 6 brace buttons (suspender buttons) in light brown Bakelite engraved with "+ Burns + Columbus, OH."
The fly is 11 inches long (including the waistband) and closes with four dark brown buttons (also Bakelite) and tab and button at the waistband.
There are five pockets; two inseam pockets, two double welt curved back pockets and one coin pocket in the seam between the waistband and the front pant leg on the right side. Side seams are sewn in a flat felled seam. The waistband facing is made of a bias cut white and brown stripe fabric with a "skirt" under that in a white and brown check. All interior edges have been hand over cast.
Source
A related resource from which the described resource is derived
HCT.1988.355.1
Date
A point or period of time associated with an event in the lifecycle of the resource
1903
1900-1909
Men's
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Standing Band Collar, Leg-o-Mutton Sleeves, Hourglass Silhouette
Decade
1900-1909
Color
Off-white
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Edith May Knapp wore this dress upon her marriage to Luther Marsh Berry November 29, 1905. Edith was born in Smyrna, Michigan on December 6, 1882 to Janett Hayes and Eliud Knapp, who was a traveling paint salesman until he began his own paint manufacturing company. Edith was the only girl of five children in the family. One of her older brothers, Clyde, brought the pineapple cloth used in her wedding dress back with him from the Philippines. Clyde (pictured below) had been stationed in the Philippines as part of the Army during the Spanish American War. Luther (Louis) Marsh Berry was born in Orleans, Michigan on February 10, 1873 to Emaline Babcock and Leander Berry, one of seven children. He was 11 years older than his bride. Lou and Edith did not have a lot of money when they married. They moved in with his uncle after their marriage, eventually inheriting that house. Lou worked at his father-in-law's roofing paint company, E.J. Knapp & Co. as a manufacturer, while Edith herself worked as a bookkeeper in a dry goods store before their children came along. Edith and Luther would have two children: Austin Luther Berry and Jeannette Berry Brubaker. Edith remained a homemaker until she was in her late 50's or early 60's when she went to work for the Belding Banner News in Belding, MI where she wrote a local column for more than 20 years. She and Luther were married for 54 years prior to Luther's passing in 1966. Edith would pass away in 1969.
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Pineapple Cloth
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1905 Pineapple Cloth Wedding Dress
Description
An account of the resource
Pina cloth (pineapple fiber) wedding dress.
Blouse (bodice) : waist length pigeon pout bodice, longer in front- shorter in back; high band lace collar; 3/4 full balloon sleeves with narrow forearm band, which is trimmed with 9 rows of small ruffles; V shape center front and center back panel in vertical pin-tucks, trimmed with wide V rows of lace; shoulders trimmed with ruching, from here the side front and back panels are folded into tucks ending at the waistband; center back hook/eye closure; lined in silk satin fabric; waistband has eyes to hook the skirt to bodice.
Outer skirt : floor length with slight train; full skirt : flat front and gathered fullness at back; front decorated with two vertical bands stitched on at waistband and at calf length, these bands are pleated tucks ending in a knot with a flounce and an attached small ruffle; bottom of skirt trimmed with 6 rows of small ruffles; center back closure at waistband
Inner skirt : off-white silk satin material; 8 gore underskirt with flat front panel and fullness at the back; floor length with a slight train; bottom of skirt trimmed with 2 small flounces; closure at center back, opening of closure has pineapple material attached to it.
Belt: around 2 wide; off-white material covered with pineapple fabric; it consists of horizontal pleated tucks; the belt has a V shape, thus narrowing toward the back; center back 3 hook/eye closure
Collar : around 2 wide; off-white material covered with pineapple fabric; it consists of small vertical pleated tucks; slight V shape; center back 2 hook/eye closure.
Source
A related resource from which the described resource is derived
HCT.1998.27.1a-g
Date
A point or period of time associated with an event in the lifecycle of the resource
1905
1900-1909
Wedding
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Standing-Band Collar, Hourglass Silhouette
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Silk
Decade
1900-1909
Color
Off-white
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress was worn by Lucile Joyce on the occasion of her wedding to James Edward Hagerty October 26th, 1907. Dr. Hagerty had been a professor at Ohio State University for six years at the time of his marriage and would have a long and illustrious career with the university. They had five children together. Lucile was the daughter of John Joyce who immigrated to the United States in 1851 and was the founder of the Green-Joyce Company. It was a highly successful dry goods business that began operation in 1884. Sadly, John Joyce died of a heart attack shortly after his daughter's wedding in January of 1908. After his passing, the Green-Joyce Company continued to operate until 1929, when it became a victim of the stock market crash. By 1900, the number of dressmakers listed in the city directory had decreased to a mere 125, almost one third of those only 5 years previous. The listing of ladies' tailors, however, had increased from one (Thomas Higgs) to seven. Kate Hoffer opened her dressmaking business in 1899 at 1409 N. High St. Her husband Frank was then working as a barber. By 1901, the dressmaking business listing was under Frank's name. It must have been a more lucrative business than barbering, because by 1902 Frank was listed as a tailor. By 1910 the business was located at 256 Oak St., while the Hoffer's resided on fashionable E. Broad St. at number 1039--with Frank listed as a dressmaker and Katie as a ladies tailor. Like, Daisy Schaefer, Kate was of German descent. Born in West Virginia in 1861, she was seven years older than Daisy. She married Frank in 1884 and had two daughters who were 16 and 13 when the dressmaking business opened. The Historic Costume & Textiles Collection owns three dresses with Kate and Frank Hoffer's label.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1907 Lace and Silk Wedding Dress
Description
An account of the resource
An off white silk wedding dress, consisting of a bodice and skirt, from 1907. Bodice and skirt have an overlay of Battenberg lace of flowers and scrolls in the same beige color as the silk. Bodice has a center front piece of hand painted organza attached to right side that extends around the neck to form the high collar, which is trimmed in lace scrolls, pink and green silk ribbon and a gathered organza ruffle on the edge. The skirt is made of the same silk and lace as bodice with a small train with organza ruffle and smaller silk ruffle at the hem.
Source
A related resource from which the described resource is derived
HCT.2007.15.2a-c
Date
A point or period of time associated with an event in the lifecycle of the resource
1907
1900-1909
Wedding
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
collar=Standing-Band Collar, dress type=Hourglass, silhouette=Hourglass
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Wool
Decade
1900-1909
Color
Gray light, Pink light
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Nelle Spaulding wore this dress upon her marriage to Frank Clarence Wolfe on February 17th, 1902. Nelle was born in Athens County, Ohio on September 7, 1881, the only girl of three children. Her father, John, worked as a farmer. Nelle's dress is fashionable for 1902 and a typical good dress for a farmer's daughter or working class woman that would be worn for special occasions such as going to church on Sundays. These dresses were often worn as wedding dresses because not all levels of society had the economic wherewithal to afford a special white wedding dress that would be only worn once. Nelle's husband, Frank Wolfe, was born October 27, 1876 and also worked as a farmer until they moved to Columbus just prior to 1930. Nelle and Frank had three children: Alice, Charlotte and Francis. Sadly, Frank passed away in an accident in 1934. Nelle continued to live in Columbus until her passing in 1956.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900s Gray/Pink Wool Wedding Dress
Description
An account of the resource
Gray wool twill two-piece dress with pink silk taffeta collar, yoke and cuff detail, trimmed with lace.
Bodice. Hook and eye closing at left side. Short bodice with blouson insert at center front and pink pin-tucked silk yoke. Long sleeves with pink silk inserted puffs at wrists and pointed cuffs with off-white lace applique. Four inverted pleats at center back. Brown cotton lining with princess line seams instead of inverted pleats like outer layer. Bound edges. Boning with pink casing. Underbodice with hook and eye center front closure.
Skirt. Long gored skirt with 8" double flounce with 3 rows of top-stitching at hemline. Placket at center back, 2 large pleats on both center back panels. Brown lining with hand-overcast seams. Brown velvet bound hem.
Collar. Pink silk detachable 3" stand-up collar with pin-tucks and off-white applique.
Belt. 1 1/2" shaped belt with top-stitching and pointed edges.
Source
A related resource from which the described resource is derived
HCT.1986.187.1a-d
Date
A point or period of time associated with an event in the lifecycle of the resource
1902
1900-1909
Wedding
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Tail Coat, Formal Trousers
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
fiber content=Wool
Decade
1900-1909
Color
Black
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This suit was worn by Daniel Webster Williams who was born in Jackson, Ohio in 1862. He was a noted journalist whom President Theodore Roosevelt appointed as Consul to Wales from 1905-07. While there, Williams attended several formal state functions where a tailcoat would be required attire. Williams' father had emigrated from Wales in 1839, so Daniel was probably familiar with the language. It was while practicing law from 1886-1889 that Williams discovered his love of writing and bought the<em> Jackson Sun Journal</em>, which he owned until 1923. During his life he was appointed to the Ohio Senate (1909-1910) and also wrote a regular column for the <em>Columbus Citizen</em>, "Under the Open Sky," until his death in 1932.
Designer
Designer who made the clothing item.
B. Frosh & Sons
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900s Black Tail Coat and Trousers
Description
An account of the resource
Black wool tailcoat, vest and trousers. Jacket has silk faille peaked lapels, satin covered buttons, inside left and right breast double welt pockets. It is lined with a black silk twill in the body and black/white striped silk twill in the sleeves. Vest has rounded shawl collar of self fabric, 3 satin covered buttons with keyhole buttonholes and welt pockets on either side. Vest back is black silk twill and inside lining is off-white cotton twill. Trousers have braid stripe down the length of the side, button fly closure, suspender buttons, front waist watch pocket and rear double welt pockets.
Source
A related resource from which the described resource is derived
HCT.1988.389.3a-c
1900-1909
Men's
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Design Elements
Elements of the garment design. This may include overall silhouette, sleeve type, skirt type, jacket style, dress style, etc. Please refer to approved terminology list for correct vocabulary.
Standing Band Collar, Bishop Sleeve, Hourglass Silhouette
Decade
1900-1909
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
SIlk
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This dress was probably worn by Mary Moulton Whiley who lived in Lancaster, Ohio. She lived from 1865-1948 and was married to Charles Bell Whiley, who worked as a lawyer. It is possible that it was worn as part of a mourning wardrobe. Mary's father, Robert Cotton Moulton passed away in 1908. He had lived in nearby Champaign, Ohio and had been a farmer. Her father-in-law, Frederick C. Whiley, passed away in 1911. Frederick had been a banker living in Lancaster, Ohio. While Mary's daughter, Dorothy Bell Whiley Peters, would have been 19 years old in 1910, the style of this dress suggests that it was worn by an older woman. Mary would have been between the ages of 35 and 45 when this dress would have been worn.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900's Black Silk Chiffon and Lace Gown
Description
An account of the resource
This gown is made of black silk chiffon, finely pin tucked, and inset with five different kinds of lace throughout. The gown is from the turn of the century (1900 to 1905), is made in the mono-bosom style and features a high collar with boning at the side seams and the center back, a natural waistline and full length sleeves.
The gown is full length with a small bustle (separate piece) and a small train in back and ends in a two inch black chiffon dust ruffle. The high collar is made of a finely pin tucked tulle which is trimmed in a black metallic lace at the top of the collar and in a V at the bottom of the tulle on the bodice. The top of the collar is decorated with a line of small jet crystals.
The bodice features a central embroidered floral detail and is flanked on either side with large (approximately ¾ inch) tucks and embroidered trim. The tucks and trim frame the bodice, front and back, feathering horizontally from the shoulders to the elbows. From the elbows the sleeves change to the vertical pin tucks in the black silk chiffon, which are gathered into the lace cuffs. The cuffs close with loops and two tiny black tatting wheel buttons and two mother of pearl buttons.
The five different laces that decorate the gown run from the very fine floral lace at the waist and the oval motifs, to the heavier embroidered and corded laces of the bodice and sleeves. The large lace which runs down the length of the skirt and trims out the cuffs and the hem has a small geometric pattern. The metallic lace of the collar is more of a scroll design.
Thirty oval jet medallions are the main feature of this gown. They are about 2 - 2.5 inches long and are surrounded with smaller jet and black glass beads. Two sit vertically on the bodice at the corners of the embroidered detail, and six sit under the lace oval insets at the hips. Three decorate the waistline and are oriented horizontally, one is at the center front waistline and there are two above and below the waist at center back. The 25 other jet medallions sit horizontally above the hem of the skirt.
The gown closes at center back with 2 jet medallions (closed with hook and loop) at the waist, 17 tiny black corded knots and loops, and 6 mother of pearl buttons and loops (tulle collar).
The underdress is made of off-white organza, has a three layer pleated ruffle at the hem and a three layered ruffle in the bodice to fill out the silhouette of the mono-bosom.
Source
A related resource from which the described resource is derived
HCT.1991.655.155
Date
A point or period of time associated with an event in the lifecycle of the resource
1900-1905
1900-1909