1
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20
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Decade
1900-1910
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900s Woman's Gym Suit
Description
An account of the resource
Three piece denim gym suit with brick red braid trim on jacket and skirt: Jacket/bodice, skirt, and bloomers.
a. Jacket/bodice.
Collar band (3/4" wide) in denim. Additional collar band (1.75" wide), with 3/4" brick braid sewn to top edge, stitched to bodice at neckline from center back, over right shoulder to center front. At center front, 1.75" band is loose and wraps around neck, over left shoulder and fastens at center back with with two hooks and eyes. Additional hook and eye near left shoulder seam of bodice and neck band. Neck band lined with unbleached broadcloth fabric. Center front opening with six hook and eye closures. Three vertical tucks emanating from shoulder seams to waistline stay. Brick braid butts up against vertical tuck closest to center front, extends to midriff and makes a right angle, with mitered corner, to center front. Right front of bodice features additional vertical tuck forming placket like construction down center front. Two horizontal rows of brick braid stitched across "placket" construction below bust. Two vertical tucks in back bodice with braid trim butted up against edge of tuck closest to center back. Waistline stay of twill tape with two rows of stitching to hold pleats in bodice front and back forms fitted silhouette at at waistline. Tucks continue below waistline to hem of bodice, three inches below waistline. Five loop eyes of bodice (one each at side seams and three across back) hook to respective hooks at skirt waistband. No hooks on bloomers. Presumed that with bloomers, bodice worn on worn on outside or on top of bloomers at waistline. Hem edge of bodice bound with black bias tape, handstitched in place. Long set in sleeves with placket and three inch cuffs, double topstitched. Cuff link closure with one buttonhole on each edge of cuff.
b. Skirt.
Nine gore denim skirt with center back stitched down pleat. Below knee (30" long at center front), side front patch pockets with "V" topstitching at pocket facing. Left side front placket opening with five hook and eye closures. One inch wide set on waistband. Second waistband, 1.75" wide, with 3/4" brick red braid through the center is tacked to waistband at 4-5" intervals. One hook/eye at ends of exterior band to fasten. Five hooks and eyes across skirt back and side waistbands to connect to or secure to bodice. Two rows of brick braid around skirt at 4" and 6" from hem edge. Skirt seams bound/hand finished. Hem machine stitched.
c. Bloomers
Below knee denim bloomers (32" long at side seams) with elastic casing at hem. Set on waistband. Two back darts and center back pleat; two front darts. Nine inch long plackets at left and right side seams. One hook and eye closure at waistline of each placket. Very full bloomer leg style.
Source
A related resource from which the described resource is derived
HCT.2014.21.1a-c
1900-1909
Gym Suit
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Gift of Mrs. Dorothy Nell Sears
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Cotton
Decade
1900-1909
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1905-06 Woman's Bathing Suit
Description
An account of the resource
Two piece bathing costume of black cotton with red and white collar, sleeve and pant cuffs, and skirt waistband. Red trim on skirt hem. Collar is modified sailor collar with flat pointed front and square back.
Source
A related resource from which the described resource is derived
HCT.1987.317.2ab
Date
A point or period of time associated with an event in the lifecycle of the resource
1905-1906
1900-1909
Bathing Suit
Sportswear
Women's
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This gown belonged to Rose E. Lazarus, wife of Fred Lazarus—co-owner of the F. & R. Lazarus store. Rose was born in 1861, so would have been in her late 40s when she wore this dress. It is attributed to Mary McCormick who is mentioned in Lazarus family papers at the Ohio Historical Society as Rose’s dressmaker. We have not been able to find much information about Mary McCormick in Columbus, but did find a Mary McCormick that was a dressmaker in Zanesville in the 1890s. Since we know that other tailors and dressmakers relocated to Columbus to work, it is possible that this Mary McCormick did so as well.
Decade
1900-1910
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1908-1910 White Lace Dress
Description
An account of the resource
Off white lace dress with ruched silk cummerbund and silk banding around the hem. 3/4 length sleeves with square neckline. Multiple layers of lace appliques on bodice. Hook and eye closure up the back (34). 4 pieces of boning built into dress, cinching belt on the inside at waist.
Source
A related resource from which the described resource is derived
HCT.1985.277.1
Date
A point or period of time associated with an event in the lifecycle of the resource
1908-1910
1900-1909
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Decade
1900-1909
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Short Black Satin Cape
Description
An account of the resource
Short cape of black with black and yellow striped lining, silk ribbon flowers around neck with ties.
Source
A related resource from which the described resource is derived
HCT.2001.48.13
1900-1909
Cape
Outerwear
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Shirtwaist is gift of Mrs. John G. McCoy
Skirt is a gift of Ms. Ruth C. Morley
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Black & Gold Shirtwaist and Black Net Skirt
Description
An account of the resource
Mono-bosom style bodice of black silk covered in net fitted with gold and pearl beading. Center front and center back panels covered in 1/4" velvet ribbon in 1/2" lattice pattern and clear gold bead clusters. Remainder of front and back bodice covered with gold and pink clear beads and long pearl beads surrounded by gold chain stitch in floral pattern. 5 1/8" wide velvet ribbon spaced 1 1/4" apart form diagonal stripes on bodice sides. 3/8" wide bead clusters are spaced 1" apart and form rows between the velvet ribbon. 2 1/2" wide boned waistband forms "V" in front; trimmed with 3 rows of 3/8" wide black velvet ribbon. Waistband fastens in back with 3 hooks and eyes; embellished with a 3 1/2" wide puff medallion of velvet ribbon and silk netting. 2 1/2' wide boned band collar encrusted with small gold and silver beads and round mauve colored beads. Fastens in back with 9 hooks and eyes. Leg-o-mutton sleeves, puff at shoulder followed by 4 layers of net ruffles with velvet trim. From elbow, fitted with horizontal pleats. Skirt is gored black net with vertical stripes of black velvet trim. Two gathered ruffles of net around hem edged with black velvet. Row of appliqued cording around the base of the skirt above the ruffles.
Source
A related resource from which the described resource is derived
HCT.1985.45.7 & HCT.1985.21.5b
Date
A point or period of time associated with an event in the lifecycle of the resource
Blouse: 1890-1899
1900-1909
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Helen Knopf, married Charles Gibson McKinney on November 25, 1908 in Cincinnati, Ohio in this dress when she was 24 years of age. Helen was the youngest of five children born to Julius and Caroline Knopf, who had immigrated to Cincinnati from Germany. Julius was a cigar maker by trade and prior to her marriage, Helen attended Teachers Training College in Cincinnati, Ohio.
Charles McKinney was two years older than Helen and the second of four sons born to Alice and William McKinney. William was a coal solicitor and later a real estate agent. After Charles’ and Helen’s marriage, they lived with William McKinney before eventually moving to their own home in Millcreek, Ohio, just outside of Cincinnati. Charles worked as a clerk at the time of their marriage and later as superintendent of a factory for several businesses. The couple would have three children.
Helen’s dress was made by Emma Busam, a dressmaker in Madisonville, Ohio, near Cincinnati. Emma was born in 1872, the youngest of Susan and Leopold Busam’s four children. It is unclear when Emma began working as a dressmaker but seems to have had an established business when she made Helen Knopf’s wedding dress. A copy of the receipt for the dress in the amount of $44.49 accompanied its donation to OSU. In terms of today’s dollars the cost would be about $1148.36, still a relatively good price for a custom-made wedding gown.
Designer
Designer who made the clothing item.
Emma Busam
Decade
1900-1909
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1908 Wedding Dress
Description
An account of the resource
Ivory silk satin and net wedding dress. Monobosom bodice with panel of net having applied satin piping and trim. Battenburg lace stand-up collar and yoke, set in long net sleeves with tucks and satin applique trim. Slightly raised satin waistline with attached satin sash, gathered and stitched, looped through two satin buckles and hanging full length (ends have fringe).
Source
A related resource from which the described resource is derived
HCT.1987.259.1a
Date
A point or period of time associated with an event in the lifecycle of the resource
1908
1900-1909
Wedding
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Beatrice Celia Borg wore this dress when she married Frederick Michael Stein in New York, New York on November 26, 1903. Her daughter, Cecelia Borg Stein, would alter it for her marriage to William Arthur Cullman on July 1, 1937.
Beatrice Celia Borg was born in 1881, one of three children of Cecilia Lichtenstadter and Simon Borg, who was born in Germany and migrated to Memphis, TN to work as a cotton broker. He founded the bank that would later become the Manhattan Bank & Trust, and moved to Manhattan by 1869. Beatrice’s mother, Cecilia, was a prominent philanthropist and one of the founders of Barnard College. Simon and Cecilia had seven children, Beatrice being the eldest daughter. Unfortunately, both of Beatrice’s parents died shortly following her marriage.
Frederick Stein was the son of Pauline Bernard and Solomon Stein. He was the only son of four children born to the couple. Solomon immigrated to the United States with his parents in 1841. His father co-owned a clothing manufacturer, Stein & Brother, which funded the family fortune. Eventually these Steins moved to New York City sometime after 1872. Frederick attended Harvard University from 1891-1893 before leaving to join his father’s business. Prior to his marriage, Fred travelled extensively with his cousin, Leo Stein, older brother of Gertrude Stein, a pioneer in modernist writing and well-known collector of modern art.
Beatrice and Fred’s wedding was a lavish affair that was documented in the local newspapers. The ceremony was held at Beatrice’s parent’s home on Fifth Avenue in New York. The bride had 10 attendants and 250 guests at the reception. The home was transformed with palm trees, ferns, lilies and roses to create a conservatory effect.
Fred and Beatrice had three children, two sons and one daughter, Celia, the youngest.
Cecelia Borg Stein was born April 17, 1914 and married William Arthur Cullman on July 1, 1937. W. Arthur Cullman was born December 27, 1914 to Francis Wolf and Joseph Frederick Cullman Jr., one of five children. The family resided in New York City.
This wedding also took place in Manhattan, and Cecelia did her best to duplicate her mother’s elaborate wedding even in the midst of the Great Depression. She had the same number of attendants and a bridal party photo with a backdrop of palm trees.
Decade
1900-1909 and 1930-1939
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1903/1937 Wedding Dress
Description
An account of the resource
Off-white wedding gown of satin, lace and organza or chiffon having a large lace bertha collar over short puff chiffon sleeves trimmed with a pleated ruffle, and a satin bodice and cummerbund with floral embroidery. It closes in back with hooks/eyes. The mostly satin skirt has a front panel of two layers of chiffon ending in a deep ruffle with horizontal tucks and pleated chiffon bands that extend around the skirt hem into the train. Two lace side panels, which match the collar, top the skirt. Wide falling collar made of lace, pieced to create symmetry. Cummerbund is loosely pleated and is embroidered in a floral motif with a satin stitch at the center front and center back with matching cording in floral patterns. There is also embroidery on the center front of the bodice just above the cummerbund as well as along the back closure and back neckline. The dress is closed at the center back with covered buttons and fabric loops on the satin, and with hooks and eyes along the collar and the skirt opening.
The bodice has a sheer organza yoke under the collar from the neckline to the top of the bust where the satin bodice begins. There is a small waistband in the back of the dress of satin, into which the skirt is pleated two inches either side of center back. The back of the skirt lengthens into a train that extends twenty-eight inches. The bottom thirteen inches of the skirt is decorated with the organza that is alternately pleated ruffles and pairs of horizontal tucks; stitching is done in a darker gold colored thread. The front satin skirt wraps around to the front and is sewn to a center panel of the satin organza. The thirteen inches of decorative ruffles and tucks is continued across the front and the tucks are extended up about seven inches into the center panel. In the center front of the satin organza panel is another embroidery motif. Over and on either side of the front panel are side panels of the handmade lace.
Source
A related resource from which the described resource is derived
HCT.2006.32.1a-h
Date
A point or period of time associated with an event in the lifecycle of the resource
1903 & 1937
1900-1909
1930-1939
Wedding
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
Purchased by the Friends of the Historic Costume & Textiles Collection.
Designer
Designer who made the clothing item.
Worth, Jean-Philippe
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Silk
Decade
1900-1909
Color
Black
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jean-Philippe Worth Evening Coat
Description
An account of the resource
Evening cape, full length. Black silk satin body, robe style with front V neck closing open to hem, fastened right over left with hook and loop, both metal covered with cord. Black silk lace, pomegranate motif, located in mass over shoulders, in two strip widths down both sides of front opening edges, one-strip width down center back. Also located in mass at sleeve cap, two strip width around sleeve underarm and sleeve hem. Shoulder and sleeve also have diamond-shaped patches of beading set on top of lace. Beading on sleeves ends just above lace hem, with a black silk tassel on each sleeve. Outer sleeve is a set-in bell style with a wide hem: Sleeve length is longer at the inseam than the outside. Undersleeve is a set in bishop style made in silk chiffon with cartridge pleats at cap and wrist. Cuff is two strip width of same lace. Chiffon bishop sleeve joined with inseam, but allowed to form extremely wide bell appendage, also pleated. Appendage has a ruffled chiffon trim at hem. Body of cape, outer bell sleeve and under bishop sleeve full lined with black silk satin jacquard with a lily motif.
Source
A related resource from which the described resource is derived
HCT.1993.318.4
Date
A point or period of time associated with an event in the lifecycle of the resource
1905
1900-1909
Coat
Jean-Philippe Worth
Outerwear
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
This coat belonged to Blanche Rogers (nee Hickerson), who was born in 1890 and lived in Newark, Ohio. Blanche was one of seven children and purchased this coat between 1907-1909. She married Stanley Rogers in 1910 so it may have been purchased in preparation for her trousseau. The Wooltex brand of coat was sold exclusively by the H. Black Company in Cleveland, Ohio. H. Black had advertisements in Lady's Home Journal as well as newspapers throughout the country.
Fiber/Fabric Information
Identification of fibers within a garment, fabric structure and fabric description.
Wool
Decade
1900-1909
Color
Black
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1907-1909 Black Wool Coat
Description
An account of the resource
Black wool coat cut in princess style with notched lapels and velvet collar. Two piece sleeves with slight gathering at sleeve cap; 2 1/2" self fabric covered button detail at sleeve edge. Princess seaming is covered with 1/2" wide appliqued strip of self fabric and another strip applied vertically inside princess seam on front and back of coat. Center front closure of seven 1" black sew through buttons and machine button holes. Coat back has pleated vent embellished with applique strip and four 1" self covered buttons on either side of center back. Upper half and sleeves lined in black satin.
Source
A related resource from which the described resource is derived
HCT.1985.9.1
Date
A point or period of time associated with an event in the lifecycle of the resource
1907-1909
1900-1909
Coat
Outerwear
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1900-1909
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Provenance
The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage.
The cloak is a design from Max Pollatsek, a Columbus ladies tailor, who lived from 1870-1952. Pollatsek immigrated to the United States from Hungary in 1894 and first appears in the city directory in 1904. His wife, Johanna, was also a tailor but does not appear to work with Max in his business. In 1903 there are separate business and home addresses and by 1920 they own their home and Johanna is no longer working.
This coat was donated by Elizabeth Shedd Mykrantz and either her mother, Agnes Jeffrey Shedd, or mother-in-law, Alice McCormick Mykrantz, could have been the proud owner of this elaborate coat. Both were women whose husbands ran successful Columbus businesses. Frederick Shedd ran the E.E. Shedd Mercantile Company, founded by his father in 1852. It remained in business until 1938. Frank E. Mykrantz founded Mykrantz & Sons Drug Company.
Designer
Designer who made the clothing item.
Max Pollatsek
Decade
1900-1909
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
1908-1910 Lace Evening Coat
Description
An account of the resource
Elaborate, ornate coat of black lace and braid overlay on black silk satin. Edgings of pleated black silk chiffon around neckline, down front, around hem, and around the edge of a very wide bell sleeve. Velvet tie at neck
Source
A related resource from which the described resource is derived
HCT.1985.34.1
Date
A point or period of time associated with an event in the lifecycle of the resource
1908-1910
1900-1909
Coat
Outerwear